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With critical acclaim and deserved plaudits lavished on Amber following her debut EP 'Sometimes I Forget You're Human Too', 'Show \u0026amp; Tell carries on the emotive and philosophical themes of the EP, pinned around themes of connection; with yourself, with the world, with loved ones. There is soul-searching, introspection and a challenge to the ways of the world, all packed into 12 hook filled, shoegaze-fused-indie-pop slices. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEmerging from the hotbed of exceptional guitar music bubbling up out of Leeds in recent years, Amber has been supported by BBC 6Music, BBC Radio 1, DIY, and played Glastonbury, Radio 1's Big Weekend and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpeaking about the album, Amber explains I want to understand connections and process the emotions which surround them. The album covers topics of queer love, humanity and it's 'delusions of grandeur', mental health, introspection and purpose. It's one big project of of self introspection and a guidebook to understanding my brain'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you have a thing for Soccer Mommy, Alvvays, Girl In Red and boygenius, this record is for you.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eDinked 283\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e—       Brain Marble vinyl *\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e—       Bonus 2 track 7 - 4-Track versions *\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e—       Original 12 pull out artwork, signed by Amber \u0026amp; hand numbered *\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e—       Limited pressing of 500 *\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e*EXCLUSIVE to Dinked Edition\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available on standard splatter vinyl and CD. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eIntro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eInhibitions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eShow \u0026amp; Tell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eFriendship Bracelets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eHow Do You See The World\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e I Like What You Bring Out In Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Don't Do Anything Stupid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Moving Slow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e We See The World In The Same Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Hide \u0026amp; Seek\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003e7\" Tracklisting\u003c\/strong\u003e\u003cbr\u003eA.     We See The World The Same Way - 4-Track version (exclusive for Dinked)\u003cbr\u003eB.     Show \u0026amp; Tell - 4-Track version (exclusive for Dinked)\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClue Records \/ EMI North\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacaranda Records","offers":[{"title":"Dinked 283 - Ltd edition \"Brain Marble\" vinyl","offer_id":55996512010619,"sku":"JAR-06085","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/1416\/8247\/files\/1bf3a63ae5f72a858cc55bf7156d005b.jpg?v=1766463876"},{"product_id":"keeley-forsyth-dinked-284-the-hollow","title":"Keeley Forsyth - Dinked 284 - The Hollow","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eKeeley Forsyth\u003c\/strong\u003e is a singer, composer and actress from Oldham, UK.  A frequent presence on primetime TV since the mid-'90s, over the past few years she has forged an unusual parallel career as a unique and uncompromising new presence in contemporary music. Described by Pitchfork as arid and beautiful, by Uncut as \"astonishing\" and The Sunday Times as \"one of the most remarkable in years, \u003cstrong\u003eKeeley\u003c\/strong\u003e's debut LP 'Debris' (2020) and follow-up 'Limbs' (2022) drew unanimous critical praise, prompting comparisons with Nico, Beth Gibbons, Aldous Harding, Nick Cave, Anohni and even Scott Walker. It's often stated that no one else is making music quite like this. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe bleak and foreboding landscape surrounding \u003cstrong\u003eKeeley\u003c\/strong\u003e's North Yorkshire home seems to inhabit her third LP, 'The Hollow'.  The moors, visible from her studio window, impact upon a music that feels made of these places: windswept, rain-soaked and blinking through the low-lit landscape. The album's title derives from discovering a long-abandoned mining shaft whilst out walking - the past lurking within and haunting the present we now occupy. A connection to time that places us within it, facing what is gone and what may come. But also, perhaps that time has no concern as to whether we're here or not. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eKeeley\u003c\/strong\u003e's unique elemental voice again sits centrally within this world-building. Her cathartic reflections are exorcisms in song. We hear an artist making sense of her life, willing to expose vulnerability without ever appearing weak. Working again with producer Ross Downes, the LP features Matthew Bourne and Colin Stetson, \u003cstrong\u003eForsyth\u003c\/strong\u003e sought to expand both her voice and music. 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Whilst their debut album 'The Big Dig', released in 1999 on Too Pure Records, is considered a classic of the post rock genre, Billy Mahonie always crafted their intricate music with memorable hooks and melodies and performed it with energy and gusto. Theirs was not an aimless, meandering sound, instead the songs and attitude were rooted in punk rock, and still are. Billy Mahonie put the rock into post-rock.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet for release this coming May 24th via their own label Whistling Sam Projects, 'Field Of Heads' sees the band returning with their classic original line-up of Gavin Baker (guitar), Howard Monk (drums), Hywell Dinsdale (bass and guitar) and Kevin Penney (bass and guitar). Whilst this line-up has been semi active for a few years, no new material came to fruition. After their last gig in 2017, however, the band decided it was time to get back into the studio, but with two members living abroad new challenges were faced, but ideas were shared, old ones were resurrected and finally in October of 2019, Billy Mahonie were back in the studio. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded over two long weekends on either side of the Covid 19 lockdowns, the band tracked at The Church studios, owned by their former collaborator and front of house engineer Paul Epworth, with senior engineer Luke Pickering at the controls, allowing 'Field Of Heads' to quickly take shape.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew single 'Kaiju' gives the music world the first taste of 'Field Of Heads' and right from the off, it's classic Billy Mahonie. Immediately bursting into life with the energy and melody that is so unique to their sound, Howard's driving drums thrust the music ahead as the guitars and synths weave their way around them. Intricate and shifting, but never at the expense of a tune that sticks in your head. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis one came from a chord progression myself and Gav first tried out jamming in 2010, explains drummer Howard. Needless to say, when Hywell and Kev got their hands on it, it became something no-one ever envisaged. Kev's great title is, of course, the Japanese name for the subgenre of monster-based science fiction. A frenetic riff opens the song and for a counter guitar part only two options remain, play in the minimal gaps or find an overarching theme. We chose both. Kaiju films influence the additional Synths, echoes of those early Japanese movie themes. 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